Filed under: News items
If you were one of the many making enormous profit off of the Potion of Luck and Plundered Treasures ... your luck has just run out. Boom.
Bonkey's WoW-rendition of this classic song is probably still my favorite. With an all-star cast of machinima legends, Peaches is the ultimate celebration of fun, community, and thank-the-Light-for-the-weather.
Interested in the wide world of machinima? We have new movies every weekday here on WoW Moviewatch! Have suggestions for machinima we ought to feature? Toss us an email at firstname.lastname@example.org.
Filed under: WoW Moviewatch
Easily being able to fire up a game of Hearthstone on my tablet means that now I play a lot of times where I might not have before -- having a game running while I'm checking email or watching television. So, readers, tell me: has Hearthstone coming to the iPad brought you into the game?
Filed under: Hearthstone Insider
The gnomes are one of two people of modern Azeroth who can lay claim to being the most intelligent, most adept with technology, most innovative of the mortal races. Unlike their goblin rivals, however, the gnomes are not materialists in the sense of always seeking a means to profit - their mindset is far more exploratory. A goblin looks at a situation and bends her mind to determine how best to exploit it, while a gnome seeks to learn how it works. And in a way, the gnome is far more dangerous, because they're never satisfied.
Consider this - the gnomes invented a weapon so destructive it rendered their own city unlivable for years. Even today, Gnomeregan isn't fully recovered. This radiation bomb (the work of Sicco Thermaplugg, the ambitious madman who once ruled Gnomeregan in its fallen state after Gelbin Mekkatorque led those gnomes he could out of the city) is proof positive of just how terrifying gnomish ingenuity can really be. Unlike the mana bomb Garrosh Hellscream used on Theramore, the radiation bomb doesn't destroy building - it kills without ruining structures. Furthermore, the mana bomb was a discovery, created by blood elves serving Kael'thas Sunstrider who had the chance to study naaru technology in Tempest Keep, but the radiation bomb was entirely a gnomish invention. From their origins as a titan created construct race, the gnomes have persevered through to the modern day as a clever, resourceful, inventive people. But Sicco Thermaplugg also shows that gnomes can be treacherous, deceitful, arrogant and even contemptuous of others.
Now, following the Siege of Orgrimmar, is there any limit to what the gnomes can achieve?
Originally, Griselda was one of the three children of Blackhand the Destroyer, and like her brothers Rend and Maim, she was artificially aged to adulthood via warlock magic and trained to fight. But unlike her brothers, her father denied her the blood of Mannoroth (so, ironically, she was spared the blood curse) and would not give her a position of authority like the ones he'd given Rend and Maim. This was a colossal act of disdain on his part - he'd stolen her childhood from her, turned her into a weapon, and then refused to make use of her. Why he did this is unclear - it's often said it was a punishment for her insolence, but we don't know what that insolence entailed.
Her fate in our timeline (turning against her father, running to the Deadmines alongside an ogre named Turok, assassinated by her father's warriors) isn't what I'm interested in, however. It's how the Griselda of this Draenor could turn out that interests me.
I've been thinking a lot lately about the dynamics of telling a story. What exactly is a story? How do you tell it most effectively, both from an artistic narrative stand point, and a consumer-friendly attention grabbing one? I've also been concerned with new ways to tell a story, especially one that people might discount at first since the story mechanism lives on the edge of pop culture.
Besides working on WoW Insider, I also make my home at the Minnesota Opera, working on their website and advancing an opera's story through digital mediums. Opera is an old art form, one that if not nurtured and brought into the next century is at risk of becoming obscure. I'm proud to work for a company that realizes this and does some really ground breaking things.
It struck me recently when sitting through a dress rehearsal the eerie similarities between Warcraft and an opera like The Magic Flute. After thinking about how very like these two story-telling vehicles are, I realized that they are both just a natural progression in humanity's ability to tell a story.
Filed under: Analysis / Opinion
If you find yourself interested in multiple tracks, we suggest just going in for the album -- there are 22 total tracks, adding up to a significant cost difference. $9.99 or $28.38? The choice is yours!
Filed under: Diablo 3
Soooo, how does the Blizzcon date figure in the release schedule for WoD? Speculations, please!
Gallery: Around Azeroth 3
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Filed under: Around Azeroth