WoW Insider reviews The Shattering: Prelude to Cataclysm by Christie Golden

The Warcraft universe has incredibly rich lore supporting it, and it's natural that, like many IPs, it would expand outside of the game world. Warcraft novels have historically been hit or miss, largely due to the strengths and weaknesses of the various commissioned authors who write them. Some novels feature out-of-place characters invented by the author specifically for those particular stories; some struggle with the characterization of beloved characters. But there have been some bright spots: Rise of the Horde was a fantastic look into the birth of the Horde on Draenor, and Arthas: Rise of the Lich King provided insight into the man who would become the Lich King.
These books have something in common besides their IP: Christie Golden wrote them. In Arthas, she gave Blizzard its first The New York Times-bestselling novel. Now, her latest offering is the Warcraft universe's newest novel, a tie-in to the upcoming Cataclysm expansion. We present to you our review of The Shattering: Prelude to Cataclysm.
These books have something in common besides their IP: Christie Golden wrote them. In Arthas, she gave Blizzard its first The New York Times-bestselling novel. Now, her latest offering is the Warcraft universe's newest novel, a tie-in to the upcoming Cataclysm expansion. We present to you our review of The Shattering: Prelude to Cataclysm.
The war in Northrend has taken its toll on both the Horde and the Alliance. Both sides lost tens of thousands of soldiers and citizens in the year-long battle against the Scourge and the Lich King, but some losses cut deeper than others. Anduin Wrynn lost a father figure in Highlord Bolvar Fordragon, and the Horde lost one of its finest up-and-coming heroes, Saurfang the Younger. And it's not just people who were lost -- the war was costly in terms of money and supplies, leaving Stormwind and Orgrimmar in dire financial straits. Orgrimmar has also suffered unnatural droughts, causing Durotar's already slim resources to dry up.
Things are so bad in, fact, that the Alliance and Horde have actually agreed to a truce, ending all hostilities on all three continents. Not everyone is happy about it, including the Horde's favored son, the Hero of Northrend, Garrosh Hellscream.
What drives The Shattering are politics and personal relationships between Alliance and Horde, teacher and student, tauren and orc, father and son, even Azeroth and Draenor. Golden wisely spares us the introduction of super-powered characters we've never met before, instead relying on strong characterization of lore figures we've grown to know and love over the game's six years.
Garrosh Hellscream, who's been the subject of much vitriol from some Horde players (and Alliance players alike), is given a fair shake in this novel, which finally sheds light on events that have been rumored for some time to occur pre-Cataclysm. But beyond that, we also learn what drives Garrosh, sometimes from inside his own head. He's presented as an individual, not a caricature; he's fiercely loyal to the Horde and an excellent warrior, even if his decisions aren't the correct ones 100 percent of the time. He really does want what's best for the Horde -- the issue being that perhaps his Horde isn't today's Horde, but the juggernaut his father could have built were he alive today and Warchief.
It's that dream and that attitude that worries tauren chieftain Cairne Bloodhoof, who is constantly at odds with the young orc. Cairne is given extended screen time in The Shattering, showing us what we've always known about him -- that he's an honorable, wise and old-fashioned old bull. It's because of these qualities that he can speak his mind to Thrall, who is faced with some very tough decisions after a fire rages through Orgrimmar.
Thrall is given his own story, mostly separate from the intertwined events that take place throughout the novel. He's depicted as world-weary; he realizes that many of his decisions in running the Horde may not have been the right ones, and Eitrigg notes that Thrall has done little for himself since becoming Warchief. He has no mate, no child, no one to take his place should he "return to the ancestors." The mag'har of Draenor end up providing him with more than just knowledge of the elements, and Thrall emerges from the book as a much stronger and fleshed-out character than he has been previously.
Dealing with sabotage from within and without, and losing their venerable Warchief even temporarily, causes ripples throughout the Horde that turn into tidal waves, sometimes literally, while the shadow of the Cataclysm looms overhead.
But the Alliance also gets plenty of time in The Shattering. The Alliance storyline almost exclusively follows Anduin Wrynn, crown prince of Stormwind, as he interacts with notable leaders on both sides of the world (and of the Horde-Alliance conflict). His father, Varian, has been struggling with his dual nature, the result of the ritual that originally fused his warlike and kingly sides back together following his run-in with Onyxia. He lashes out at those around him, from Anduin to Jaina Proudmoore, and wisely suggests that Anduin spend some time outside of Stormwind Keep.
It's through this suggestion that Anduin gets to know "Aunt" Jaina and "Uncle" Magni Bronzebeard better, spending time both in Theramore and Ironforge. Jaina serves an important role in the novel as Anduin's surrogate mother; Anduin is an uncommonly well-behaved and mature kid, but he's still a kid with no mother and only half a father. Through tutelage from both, he discovers a side of himself that he always knew existed, far removed from the warrior his father wished he would become. And it may be that side of him that keeps his father from making a huge mistake.
The theme of father and child is present in another part of the Alliance story focusing on Magni Bronzebeard as he desperately tries to determine what's causing the elemental upheaval that threatens his people. Throughout this process, we learn the nature of his relationship with his estranged daughter Moira, and some shocking events, both elemental and political, occur that threaten to destabilize one of the oldest pillars of the Alliance.
What's interesting about this book is its focus. As stated previously, Golden deals almost exclusively with existing lore characters, which is a wonderful departure from books like Stormrage and the War of the Ancients trilogy. But for a book that acts as a prequel to Cataclysm, there's little (if any) discussion of Deathwing or of the goblins and worgen. Even races like the blood elves, Forsaken and draenei have little to no face time with readers. The book deals mainly with orcs, tauren, humans and dwarves. Those who were expecting some exposition regarding other races might walk away disappointed, but not for lack of information on the aforementioned races.
The Shattering thrives in much the same way Rise of the Horde did -- on its characters, not its plot. That's not to say that the plot isn't well-crafted or interesting, but the nature of the novel as necessary, not ancillary, material to fill in gaps between Wrath and Cataclysm means that it follows a particular structure. Despite that, or possibly because of it, the book moves very quickly, making it an incredibly brisk read. There are plenty of action sequences amidst the dialogue and intrigue, so those who, like Garrosh, would rather bust heads than drink tea and chat will appreciate the book too.
Avid players will appreciate appearances by minor NPCs they've met in the game, and small details in descriptions of action, environments and spells will keep sticklers happy as well. You're right, Anduin, that is what dropping a totem sounds like.
My only real complaint with The Shattering, and it's a very minor one, has to do with the dialogue. Understand: I don't mean that the dialogue is bad in anyway. Characters are treated with all due reverence, and the dialogue is rarely cheesy or ham-fisted and never out of character, as it could be in previous novels. In fact, the dialogue tends to do a great job bringing out sides of characters we haven't seen before -- Cairne's angry side, for example.
Rather, it's small things that caught my eye; for example, characters' full names (and titles) are repeated a lot in speech, and I'm unsure if this is to make sure that readers new to Warcraft lore will be able to follow the multitude of characters or whether this is actually how people address each other on Azeroth. I'm willing to give Golden the benefit of the doubt on this one.
All told, The Shattering is one of the finest, if not the finest, Warcraft novel to date. Those hoping to bridge the gap between Wrath and Cataclysm will need it, and those stinging from the poorly-received Stormrage will appreciate the heart and soul that Golden, a WoW player herself, has given their favorite heroes and antagonists.
Verdict: Any Warcraft fan would be remiss not to read this book, both for its respectful treatment of the Warcraft universe and for its wealth of lore information.
World of Warcraft: Cataclysm will destroy Azeroth as we know it; nothing will be the same! In WoW Insider's Guide to Cataclysm, you can find out everything you need to know about WoW's third expansion (available Dec. 7, 2010), from brand new races to revamped quests and zones. Visit our Cataclysm news category for the most recent posts having to do with the Cataclysm expansion.
Patch 5.3 interview with Ghostcrawler
Mystery of the Unborn Val'kyr
The latest patch 5.3 news
All of the latest Mists of Pandaria news





Reader Comments (Page 4 of 6)
NeoPhobos Oct 18th 2010 8:07PM
Hopefully this one will turn out better imo than Arthas. I just couldn't stand the constant focus on Invincible. Once, maybe twice, is fine. But what felt like 5+ times is overkill.
David Oct 18th 2010 8:14PM
Invincible was his companion, his best friend, of course they will focus on it! If it was reality the focus on his horse would be much much more, he would be thinking about his horse every day, and night and day at first.
Larka Oct 18th 2010 8:10PM
geez guys to each their own, obviously people are going to have different opinions on writing. i mean just because twilight was a hit doesn't mean every sing teenage girl who loves wolfs is a twilight nerd (i suffer from this illusion all the time)
Izzy Oct 18th 2010 8:30PM
I don't dislike Knaak as much many people seem to but then it seems that everyone says Day of the Dragon was his best book; I liked it.
Golden, however, seems to be in another league. I read Arthas and really liked it. Lord of the Clans blew my mind. The epic story of Thrall's beginnings is so well written (and fun to read), I've read it no less than six times. I know this won't happen, but I still believe that Clans should be the Warcraft movie. Can't wait to get Shattering.
Lyinar Oct 19th 2010 10:11AM
Day of the Dragon was actually good. I tried to start the War of the Ancients trilogy, but it never really got me, and Stormrage was... flawed. I don't dislike Knaak as much as most, probably because DotD was my first Warcraft novel and I've not endured its direct sequel or the last two of the War of the Ancients books, but I do agree that he's not the best writer out there. Still, he's better than CS Goto (the worst author to ever write about stuff in the Warhammer 40k setting), and they're both far better than Dan Brown: http://www.telegraph.co.uk/culture/books/booknews/6194031/The-Lost-Symbol-and-The-Da-Vinci-Code-author-Dan-Browns-20-worst-sentences.html
Christie Golden, on the other hand... I loved Lord of the Clans and Arthas, and all indications lean toward this book continuing the pattern. While I won't place her on the same level as Robert Jordan, Terry Pratchett, or Brandon Sanderson (my favorite authors), I will place her just below them on the level of Dan Abnett, JK Rowling, and Jim Butcher: i.e., still quite awesome.
Outis Oct 18th 2010 8:37PM
Wondering if there's a CE for this one :P
Koleckai Oct 18th 2010 8:50PM
Will be ordering this for my Nook reader this weekend. Looking forward to it.
Rainee Sue Oct 18th 2010 9:02PM
I've got this downloading onto my Kindle tomorrow morning and planning to read it on the flights to BlizzCon. I still haven't decided if I'm going to read the spoiler posts. GAAAAH!
Dreyja Oct 18th 2010 9:11PM
AHHHHHhhhhrrghh. It doesn't download to my kindle until tomorrow for me. I'm assuming this is a Canada thing?
Can't. Wait.
Kilshak Oct 18th 2010 9:33PM
I don't think Golden is a bad writer at all, quite the contrary, but after reading Arthas, I just felt like I had read a novelization of his WC3 campaign, with some of the stuff from WotLK thrown in, and an expansion of the romance between him and Jaina. Didn't strike me as a good read, despite Golden's skill. Knaack on the other hand, seems to have had more leeway with the storylines he's been handed, but seems to make every character in his book as powerfulas Sargeras himself, yet dim-witted to the point of being brain-dead.
Darky Oct 18th 2010 10:00PM
He should write main stream anime.
(this is coming from someone who reads both bleach and naruto)
Muse Oct 22nd 2010 10:41PM
Possibly due to the fact that it was a novelisation of WC3 with some extra stuff thrown in?
ioncat Oct 18th 2010 11:05PM
Yeah...the Sunwell trilogy is the only piece of Knaacklolore that I felt should just be retconned. It completely ruined Blood Elves, it made no sense in game, and it even seemed like Bliz didn't care to broadcast it in the game all that much (hence the giant floating demon stones STILL in Silvermoon, and absolutely NO resolution to that story in game).
ioncat Oct 18th 2010 11:08PM
Damn comment system. This is @Al.
Roasterz Oct 19th 2010 12:56AM
Knaak and golden are both decent. I think all of these books need a more diverse editing team to challenge the writers to go outside the box little bit. As for some of those earlier books? (tides of darkness, darkportal) They are are terrible.
As for the writers knaak is plot and event driven and younger. Golden is character driven and a only smidge more mature. This is where their talents are as writers. Stormrage was fun but didnt try to be dangerous. Golden likes to somewhat play with her characters being "Human", I.e. having sexual desires, bieng insecure or mentally unstable like Varian Wrynn, king of Stormwind, Duke of the Elwynn, Count of Everstill, High Farmhand of Westfall and lord Ireland. KnaaK introduced characters that push the story forward and establish believable conflict with in the social sphere of that world. He could've had alot more fun. Broll and tyrande could have had a brief affair or something. THAT would have been great! Or allowed shandris to travel with broll and they could have had a little thing. i bet she'd turn out to be a little to clingy.
As far as the over powered characters that knaak creates? Blame ghostcrawler for not rebalancing... But seriously, I have no problem with this. the universe needs to be constantly expaning, redefining and evolving its lore. Everyone blames him for rhonin, but metzen has the final word yes? All of the events, the time traveling, freeing of alexstaza, awakening of stormrage, Broxigars death fit into the world he to created and continues to act as dramaturge for.
Lucan foxblood was an odd creation, though i didnt find him irritating. and for a moment was wondering if there would be human druids. Thura was fantastic! A female Orc with outstanding lineage? A possible challenger to garrosh hellscream? mmm, interesting.
Knaak is good comic writer. Golden touches those things we can relate to, but in the end its still g-rated.
ioncat Oct 18th 2010 11:17PM
This.
roseclown Oct 18th 2010 11:37PM
The problem I have with Knaack is that his story is more plot and less character.
To put it simply: As a writer, the one thing you are taught is to know your characters and to let them drive the plot. Plot, in it's nature, is driven by character. Not the other way around. A character's desires (such as saving the world) conflict with another's desire (ie, destroying it) and this is how plot is born. The actions of the characters then are supposed to define the story.
So the fact that Golden does this shows not just a smidgen of maturity as a writer, but a avalanche of it. Because that is one of the lessons that every professor drove into my head on what plot and writing is.
Roasterz Oct 19th 2010 12:57AM
@roseclown
I hope a i am replying correctly.
Very well said. I agree with you. A Characters desires and actions do define and drive a plot. I believe knaak attempts this, but doesnt take the time stay with certain moments or just focues on the wrong ones, or cites general information about past events in exchange for emotional development. In Stormrage, a very short Mother/ daughter-ish interchange between Tyrande and Shandris Feathermoon was unearned.
Golden Takes more time with moments and gives her characters room to live. She's a bit more patient about getting to the next movement of the story. Im reminded of the picnic with arthas throwing a showball at jaina.
As for Maturity? You're right to call me out on that becuase i wasnt clear i guess. I just want these stories to get more emotionally dirty, and dangerous and grown up. I think they try to be. But even with Golden it feels a wee bit general. I look forward to reading the this new one, though.
Kylenne Oct 19th 2010 5:49AM
I defy you to read the Sunwell Trilogy and start talking about "believable conflict".
Seriously, are we even talking about the same writer, here?
Silmiriel Oct 18th 2010 11:11PM
Bolvar Fordragon as a father figure for VARIAN Wrynn?
Man, I've had that lore all messed up in my head for a long time. I thought Varian and Bolvar were supposed to be the same age-ish.
Hmm. Awkward.